SELECTED PUBLICATIONS TERADA YOSHITAKA


PUBLICATIONS (selection)

Books

2016

Searching South Indian Society through Music: Being a Disciple and Researcher. Kyoto: Rinsen Shoten.


Edited Books

2016

Ethnomusicology and Audiovisual Communication: Selected Papers from the MusiCam 2014 Symposium. Co-edited with E. Camara de Landa, L. D’Amico, and M. Isolabella. Valladolid: Universidad de Valladolid.

An Audiovisual Exploration of Philippine Music: The Historical Contribution of Robert Garfias (Senri Ethnological Reports 133). Osaka: National Museum of Ethnology.

2008

Music and Society in South Asia: Perspectives from Japan (Senri Ethnological Studies 71). Osaka: National Museum of Ethnology.

2007

Authenticity and Cultural Identity: Performing Arts in Southeast Asia (Senri Ethnological Reports 65). Osaka: National Museum of Ethnology.

2001

Transcending Boundaries: Asian Musics in North America (Senri Ethnological Reports 22). Osaka: National Museum of Ethnology.


Research Articles

2018

Audiovisual media and performing arts in danger. In Music as Heritage: Historical and Ethnographical Perspectives, edited by Barley Norton and Naomi Matsumoto. London: Routledge, 61-78.

Visiting Nepal after 34 years. In Asian-European Music Research E-Journal (AEMR-EJ)1, 29-36.

2016

On making Drumming out a Message: Filmmaking and marginalized communities. In Ethnomusicology and Audiovisual Communication: Selected Papers from the MusiCam 2014 Symposium, edited by E. Camara de Landa, L. D’Amico, M. Isolabella and Terada Y.. Valladolid: Universidad de Valladolid, 71-83.

2015

Fusion music in South India. In This Thing Called Music: Essays in Honor of Bruno Nettl, edited by V. Levine and P. V. Bohlman. Lanham: Rowman & Littlefield, 433-446.

2014

The circular flow of South Indian music and dance. In Music and Minorities from Around the World, edited by U. Hemetek, E. Marks and A. Reyes. Newcastle upon Tyne: Cambridge Scholars Publishing, 47-71.

2013

Audiovisual ethnography of Philippine music: A process-oriented approach. In Humanities Diliman 10(1), 90-112.

2012

Kulintang music and Filipino American identity. In Music and Minorities in Ethnomusicology, edited by U. Hemetek. Vienna: Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts, 75-87.

2011

Rooted as banyan trees: Eisa and the Okinawan diaspora in Japan. In Ethnomusicological Encounters with Music and Musicians: Essays in Honor of Robert Garfias, edited by T. Rice. Surrey: Ashgate, 233-247.

2008

Temple music traditions in Hindu South India: Periya Melam and its performance practice. In Asian Music 39(2), 108-151.

Tamil isai as a challenge to Brahmanical music culture in South India. In Music and Society in South Asia: Perspectives from Japan, edited by Terada Y.. Osaka: National Museum of Ethnology, 203-226.

The rhythmic body in South Indian classical music. In Musicking and Body, edited by Yamada Y., 227-247. Kyoto: Showado.

2005

Performing auspiciousness: Periya Melam music in South Indian marriage ceremony. In Wacana Seni (Journal of Arts Discourse) 4, 103-138.

2002

Creating a Tradition in Taiko: New Music of Nikkei America. In Nikkei Amerikajin no Ayumi to Genzai, edited by Befu H.. Kyoto: Jinbun Shoin, 205-228.

2001

Shifting identities of Taiko music in North America. In Transcending Boundaries: Asian Musics in North America, edited by Terada Y.. Osaka: National Museum of Ethnology, 37-60.

2000

T. N. Rajarattinam Pillai and caste rivalry in South Indian classical music. In Ethnomusicology 44(3), 460-490.

“Asian music in a globalizing world.” Japan Echo 27(4): 55-9.


AUDIOVISUAL PRODUCTIONS (selection)

Films

2018

Over the Arirang Pass: Zainichi Korean Music (76 minutes)

2017

Revisiting Batulecaur after 34 Years: A Village of Musicians in Nepal (91 minutes)

2016

Pancai Baja: An Instrumental Ensemble of Nepal (16 minutes)

Marriage Ceremony of Nepal (58 minutes)

2015

Women in Red Sarees: Marriage Ceremony in Urban Nepal (29 minutes)

Marriage Ceremony of a Musician Caste in Western Nepal (28 minutes)

Music in the Life of Balbalasang: A Village in the Northern Philippines (26 minutes)

2014

Sounds of Bliss, Echoes of Victory: A Kalinga Wedding in the Northern Philippines (27 minutes)

Guitars of Puerto Rico (66 minutes)

Guitars of Portugal (47 minutes)

2013

Valencia’s Virgin Mary Festival and the Dolzaina (22 minutes)

2012

Maranao Culture at Home and in Diaspora (34 minutes)

2011

Kulintang: Gong Music from Mindanao in the Southern Philippines (22 minutes)

Angry Drummers: A Taiko Group from Osaka, Japan (85 minutes)

Taiko in North America (15 minutes)

2010

Sbaek Thomm: The Large Shadow Puppet Theater of Cambodia (25 minutes, revised version)

Sbaek Tauch: The Small Shadow Puppet Theater of Cambodia (16 minutes)

Lkhaon Khaol: A Cambodian Mask Theater (16 minutes)

2008

South Indian Hindu Weddings (28 minutes)

Samir Kurtov: A Zurna Player from Bulgaria (39 minutes)

Basavanna: Folk Cow Theater of South India (34 minutes)

2007

Cambodian Minorities: Ritual and Gong Music (34 minutes)

Cambodian Minorities: Animal Sacrifice among Kreuong People (39 minutes)

Cambodian Minorities: Village Life (33 minutes).

2005

Drumming out a Message: Eisa and the Okinawan Diaspora in Japan (75 minutes)

2003

Eisa Drumming of Hamahiga Island: Bon Festival in Okinawa (85 minutes).

2002

Brahma’s Arrow: An Episode from Cambodian Ramayana (143 minutes)

2001

Master of Cambodian Shadow Puppet Play (40 minutes)

Sbaek Thomm: Complete Reamker Cycle (in 7 volumes, 16 hours)


Multimedia Programs

2017

A South Indian Dance across Time

2016

Over the Arirang Pass: Zainichi Korean Music Today

2014

Voices of Distant Memories: South Indian Classical Music

2011

Multimedia Encyclopedia of the Minpaku Music Gallery

2010

Gong Music of the Philippines

2008

Turkish Music and Shadow Puppet Theater; Zurna Players of Bulgaria; Double-reed Instruments of Eastern Spain

2007

South Indian Ritual and Music

2006

Music of the Cambodian Minorities

2001

Performing Arts of Cambodia